This emphasis on the use of musical sets to facilitate an experience of God erodes a classic understanding of Jesus Christ as the mediator between humans and God the Father. Typical use of CWM places expectations on music to mediate worshipers’ approach to God. . . . The need for Christ as mediator is itself lessened. Mediation is shifted to the music. Thus prayer in CWM is not to the Father through the Son but to the Son through music.
—Lester Ruth, “Lex Amandi, Lex Orandi: The Trinity in the Most-Used Contemporary Christian Worship Songs” in The Place of Christ in Liturgical Prayer, ed. Bryan D. Spinks, 354
Does God get a lot of the good verbs?
The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself, they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.
—C. S. Lewis, “The Weight of Glory”
Music is a wonderful tool. But it makes a terrible god.
—Bob Kauflin, Worship Matters Jul 7, 2017
Musical sequencing cannot, of itself, produce an encounter with God. Only the Holy Spirit can do this and regularly does so quite apart from our own strategies.
—Constance Cherry, The Music Architect, 79
Music itself doesn’t change us, of course, but God often uses music to work in us on our journey of transformation. It is a way through which we are continued and strengthened in faith.
—Constance Cherry, The Music Architect: Blueprints for Engaging Worshipers in Song, 247
How perplexing to think of the burden we have placed on music, this fleeting human construct! . . . The church desperately needs an artistic reformation that accomplishes two things at once: first, it takes music out of the limelight and puts Christ and his Word back into prominence; and second, it strives creatively for a synthesis of new, old and crosscultural styles.
—Harold Best, Unceasing Worship: Biblical Perspectives on Worship and the Arts, 75
As much as I love music . . . we have placed far too much faith in it and not nearly enough in the power of the Word, the authority and sweep of fearless prophecy and earnest, yet hope-filled, intercessory prayer. I have often wondered what would happen if we got music out of the way, especially in its upfront dress, and spent abundant time in interceding prayer, reading and searching the Scriptures, sitting in silence, prophesying and perhaps only then singing and making music.
—Harold M. Best, Unceasing Worship: Biblical Perspectives on Worship and the Arts, 140