Years ago near Christmas I was listening to ATC when a woman commentator shared the challenge of being Jewish in America at Christmas. I wish I could remember her name. What she said was cordial and insightful. As she wrapped it up she conceded wistfully that Christmas had quite simply inspired the greatest music in the history of the world. That admission contained a sigh and a signal.
Even Richard Dawkins (who succeeded Bertrand Russell and Madalyn Murray O’Hair as the world’s most famous atheist) has admitted to being a “cultural Christian.” The foundation for so startling a confession.? He found the singing of English Christmas carols to be irresistible. There is a truth and power in music whose source is not yet fully comprehended. Music is the registry of an unarticulated native reality. The power of music offered in praise suggests that though God’s truth can be denied, the beauty which radiates from that truth cannot go unadmired. Music which praises God’s majesty reflects God’s majesty. The music of Christmas, like the message of Christmas, resonates with something deeper than the mere recognition of excellence.
—Ronnie Collier Stevens, blogpost 12/13/2008