On the one side is the local, the particular cultural context of a given people, a given group of congregations. How can cultural richness be reflected in worship? What are the thought patterns and linguistic styles that should shape how prayers and sermons and liturgical texts are written? What aspects of indigenous music should find their way into hymns and other music in the church? What aspects of the aesthetics, the artistic styles, the symbol systems, the architectural prototypes in a given culture should be reflected in the rooms in which worship takes place? What gestures and postures from the culture can be meaningfully incorporated into Christian worship? What are the cultural manifestations of gathering into a community, of offering hospitality, of expressing reverence? All of this can be termed localization, or contextualization, or inculturation.
—S. Anita Stauffer, “Christian Worship: Toward Localization and Globalization,” in Gláucia Vasconcelos Wilkey, ed., Worship and Culture: Foreign Country or Homeland?, 41